Rams bladder?

He’s gon pick her bones clean and then crack em open to suck out the marrow! Ruuuuun, bitch, ruuuun!


Don’t wanna be that guy, but you should know them before you start raising.
I use perplexity, Slush Helsinki, referrals from other founders, and an matchmaking event to find my list of fitting investors. I think I’ve found 20 funds that fit our scope, ticket size, round type, and level of proof. Took me maybe 80 hours cumulative, 4 months timeline

Dekha ek khwaab go on you will enjoy that ♥️
Uday is a absolute darling his love is selfish yet selfless for manyata.

The dance with the devil might last you forever

Khup chan lihilay dada, Vyatha ch ahe hi - I have experienced nearly the same thinking about the future and sometimes ask questions to myself - do we deserve this for being honest and working hard ?Is this the reward for middle class to struggle relentlessly and getting chindhi returns ? Ani system samor tar nivval hatbal vatato, middle class la asa thutkarlyagat vatata - mi shivajiraje bhosle boltoy movie sarkha nivval hasha banala ahe

Why did you get circumcised?

[removed]

Nice what job did you get? I need to find a WFH job that's like 4 hours per day

*cough* bulls***

When 2% go to females let's be for real.

On top of that 90% of funding is wasted on failed projects.

There is a thin line between dressing skimpy and dressing bold.

To basque in the beauty of Mumbai

No Gutkha and spitting. 90% of cleanliness issue will be solved once that’s taken care of.

She posted her proposal reel and her last reel also says 4 days to call you my husband or something, just checked

Wow! Where is this.

Than you brotha! Same to you!

I'm a malayali godamn this is funny

EXCERPT:

Bollywood has long lost the art of song picturisation. It feels like an eternity since any track was filmed with flair, with imagination. It feels like even longer since songs were known for their shot-taking, for what they conveyed visually. Now, only a handful of traditionalists (Karan Johar, Sanjay Leela Bhansali), still hold on to its magic. Some have long surrendered it to narrative potency. Others don't even pause to grasp the weight of what's been lost—the way song and dance once breathed life into Bombay cinema, the way they turned emotion into something tangible, something immortal. No wonder they are used, if at all, as afterthoughts: devoid of purpose, robbed of poetry. Even fillers are rare now, as at least some of those once had the grandeur of a music video. Now, songs are shot not to be seen, but to be scrolled past. Today, they are shot only as reels—designed not to live in memory, but to chase algorithms, not to move hearts, but to rank higher on a feed.

The recent surge in re-releases, particularly those in Hindi Cinema, owes much of its momentum to the algorithm. Look closely, and you'll see a pattern: the films that have been re-released, the ones that have drawn massive crowds, are those that have long been favoured by the reels. This isn't to suggest they lack the weight of icon status, or to dismiss the fact that many of the audiences flocking to these screenings have never experienced them in a packed theater. But it's undeniable that these films, often propelled by viral scenes and songs, have been resurrected on feeds, feeding the collective nostalgia of the internet. Say, *Laila Majnu*, or, more recently, *Sanam Teri Kasam*, barely registered when they first released. But today, they command the attention of thousands of audiences, filling theaters across the country. Their popularity is no longer bound to their original release but reborn through the endless loops of social media. 

Even film promotions, arguably the one arena where Hindi producers used to readily pour their creativity and money, have now been surrendered to the scroll. No more whirlwind city tours, no more interviews where actors could build a lasting connection with their audience. Now, virality is the only currency. A press conference isn't a conversation; it's a breeding ground for memes. A song release isn't about melody or emotion; it's about the challenge it sparks: who can master the hook step, who can twist it into something clickable.

The *Loveyapa* title track isn't being performed by actors but perfected by influencers. Celebrities no longer seek out journalists; they sit across viral podcasters who trade depth for reach. And Veer Pahariya isn't a name on people's lips because of his craft—he is a construct shaped by the internet's endless need to turn anything and everything into conversation. Because, after all, reelification is not just a trend—it is an evolution, an omnipresent force shaping cinema's contours. It is the new language, the new currency, the new reality. And in this reality, the algorithm reigns supreme, dictating what survives, what fades, and what, if anything, will ever be remembered.

[https://www.ndtv.com/opinion/is-bollywood-only-about-reels-and-memes-now-7753598](https://www.ndtv.com/opinion/is-bollywood-only-about-reels-and-memes-now-7753598)

Market validation should absolutely come first. In sports tech, user behavior and willingness to pay are especially critical to validate early. For assessing interest, you may choose to:

(a) Run paid ads to a landing page describing your solution. Measure click-through and email signup rates.

(b) Conduct 15-20 deep interviews with your target users (coaches, athletes). Focus on their current workflows and pain points rather than pitching your solution.

(c) Create a simple mockup or demo video and get pre-orders or letters of intent.

If you have already created a basic athlete profile implement one distinctive analytical feature that addresses your users' most pressing pain point. This could be automated performance tracking, injury risk assessment, or personalized training recommendations. Choose the single capability that emerged as most valuable during your market research.

https://preview.redd.it/ebf5c3xgybke1.jpeg?width=1214&format=pjpg&auto=webp&s=8cdaf142a33ef5aadf9df577e1158ebc5251464a